VOCABUALRIES: mixed media drawings by John Otter

SPACE Gallery is pleased to present 

“VOCABULARIES: mixed media drawings by John Otter.”
Show Opening: Saturday, April 1st 6-9PM
Artist Reception: Friday, April 7th 6-10pm

John Otter was born and raised in San Diego, California, where he began his art career as a printmaker. He received his BFA from the School of Art Institute of Chicago, and studied at the New York Studio Program.

Otter fell in love with drawing at an early age, filling sketchbooks with pen and ink drawings that hint at the abstract style he would return to later in life. Repetitive patterns, concentric circles, stippling and cross-hatching have remained an integral part of his drawings.

His recent work on paper strives to harmonize disparate concepts, merging notions of the synthetic and the organic, cities and nature, circuitry and water.

Using a variety of techniques and devices, Otter is interested in simplifying complex feelings, ideas and states of mind into visual playgrounds with space for the eye and mind to wander through and explore.

SPACE Gallery Claremont
254 West Bonita Ave.
Claremont, CA 91711

spacegallery254@gmail.com
(818) 404-4100

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drawing progress

John Otter drawing 2017

Another night spent working on this large drawing. The dimensions are around 26×18″ – which is the largest drawing I’ve done in years. It began with washes of watercolor. I’ve been dancing around it with pencil, gouache and ink for hours at a time over the past week or two. It’s Saturday night, the drawing and I are scheduled to have a long conversation tonight. I’ve been hesitant to dive too fully into the central area, the edges seem easier to approach. Little by little the ink and gouache are encroaching on the center – so I have the option to continue working inward, or change direction and make some bold moves in the middle. I’ll let the drawing decide.

This drawing will make it’s debut with a slew of recent (smaller) drawings at SPACE Gallery – Claremont this April.

 

new paper

I ordered some large paper from Blick recently, which showed up a couple days ago. I’ve been waiting to open it until I had some time to size the paper and get to work on it. I haven’t drawn on such large paper in a long time (22×30″) – it’s 140lb Fabriano watercolor paper. I felt like a kid at Christmas opening up the flat box. After soaking, stretching and drying the paper I laid down some initial watercolor washes. Now I’m just waiting for the surface to dry more thoroughly.

If I remember I’ll try to post some progress images as I work on them.

Desert X reflections

Last Sunday Sarah and I embarked on a spontaneous trip out to Desert X, a showcase of contemporary art out in the Southern California desert.

There is a lot to see and we started late, so we had to be pretty selective. First stop was to Doug Aitken’s Mirage; a ranch-style mirrored structure. It reflects the desert floor, the sky, clouds, rocks – becoming almost invisible.

After that we headed to the Ace Hotel to pick up a map and check out the Desert X Hub.

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After a couple cocktails poolside it was time to see more.
MAPS
The Map from the Desert X Hub comes in the back of a full color publication about Desert X, complete with articles and advertising. Directions are also available on an interactive map: https://www.desertxtour.com/map/ but some of the directions were not specific, i.e. getting directions from the interactive map lead us to the intersection of Frank Sinatra Drive & Portola Ave…which is a busy intersection. After a couple u-turns we saw the Desert X sign north of the intersection on Portola. It seems there’s a more accurate Google Maps map, which I didn’t know about on Sunday. Apparently if you click on the words INTERACTIVE MAP LINK – CLICK HERE it’s different than if you click on the image of a map, which takes you to the more accurate Google Map? Here?

Phillip K. Smith III’s The Circle of Land and Sky; a circle of 300 angled reflecting posts:

By this point in the day the constant navigation and photography had almost completely drained my phone battery. (Be sure to charge your devices and bring plugs, chargers, batteries, etc.)

Glenn Kaino’s Hollow Earth was a fun illusion of depth in a small shed-like structure that seems to go down infinitely. There seems to be an almost instinctual moment of terror when first noticing it.

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We arrived at Lita Albuquerque’s hEARTH two minutes too late. It was Sunday and the Sunnylands Center & Gardens (where hEarth was) closed at 3:45pm – it may be open different hours on different days.

On our way out of the desert we made a last stop at Richard Prince’s Third Place; a beat up house in Desert Hot Springs. “Family Tweets” are plaster on walls, scattered around, held on the ground by rocks. Paint, dilapidation,sculpture, dirt, rusted objects. When we were there the wind was really howling which made it a bit more surreal.

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We headed home after that, knowing we only saw a small portion and wondering when we could get back out to see more. Take your time. I would recommend either staying out there a couple days/nights or arriving as the sun comes up (which we didn’t do).

Here are a couple articles about Desert X:

Massive Desert X art exhibit debuts in Palm Springs area

That Mirage at Coachella Isn’t Beyoncé, It’s Desert X

At Desert X, 16 Artists Make 45 Miles of the Coachella Valley Their Canvas

If you’ve been out to Desert X, what did you like or not like about it? Let me know in the comments